We are so excited to share the provisional schedule for #NRNMarkingTime! Please note that this may be subject to change. In any case, we cannot wait to see you all on 21 June! Don’t forget that you can still register here.
NRN Marking Time: Schedule
| Time |
Parallel Session A |
Parallel Session B |
| 10:00-10:15 |
REGISTRATION |
| 10:15-10:30 |
Welcome: Ella Hawkins and Rachael Nicholas |
| 10:30-11:30 |
Plenary
Professor Elizabeth Schafer: ‘Slipping Through My Fingers’: Adventures in Marking Time |
| 11:30-11:45 |
COFFEE BREAK |
| 11:45-12:45 |
Re-telling historical stories through 21st-century practice
Chair: Ella Hawkins
- Naomi Paxton: Making room, finding space: explorations of the work of women theatre professionals in WW1
- Matthew Schlerf: Activating the discourse of An Adventure, 1789-2017
|
New methodologies
Chair: Chris Dingwall-Jones
- Ysabel Clare: Timelines as a research tool: spatial sorting and temporal sequences
- Rachael Nicholas: New Media, Unfamiliar Methodologies: Understanding the Online Reception of Theatre Broadcasts Through Audience Research
|
| 12:45-13:45 |
LUNCH |
| 13:45-15:15 |
Time, experience, and performance
Chair: Rachael Nicholas
- Alessandra Montagner: Temporality, Experience and The Event: Time marking us
- Maiada Aboud: Title TBC
- Nik Wakefield: Some Time-specificities of Performance
|
Time in literature
Chair: Robbie Hand
- Martin Young: Stage Managing Wasted Time: As You Like It and Theatre’s Industrial Temporality
- Jennifer Hardy: The womb of time: Untimely Birth in Shakespeare’s Richard III
- Carlo Vareschi: The Reluctant Anarchist: wage labour, capital and time in Tom Stoppard’s Albert’s Bridge and If You’re Glad I’ll Be Frank
|
| 15:15-15:30 |
COFFEE BREAK |
| 15:30-17:00 |
Time and identity
Chair: Claire Read
- Chris Dingwall-Jones: Seven times a day will I praise You: Christian liturgy and the temporal performance of identity
- Corinne Furness: ‘I knowed all Hamlet by heart’: Fracturing time and identity in the Royal Shakespeare Company’s community plays
- Simon Bell: Retrogardism: Re-mythologising the European Traumatic Historical in the Present
|
Shakespeare’s time as source material
Chair: Rachael Nicholas
- Robbie Hand: ‘Why is everybody so obsessed with text?’: Emma Rice, the Globe, and theatre history in practice
- Ella Hawkins: Negotiating the gap of time: developments in Jacobethanism through the history of stage and costume design for Shakespeare
- Robin Craig: AIDs, Section 28 and Queer Futurity
|
| 17:00-17:45 |
Closing discussion |
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